
Not everyone is looking forward to the upcoming Gainsbourg-biopic. This
Guardian-columnist has a few points, but let's judge until we've actually seen it, aiight?
I am very happy with this ****-review of Filles Fragiles in Dutch daily
Het Parool, written by Peter van Brummelen. See right, click to enlarge.
Translation:
Does anyone in France know that a guy who calls himself DJ Guuzbourg is doing for the promotion of French pop in Holland? About time that some French bigshot offers him a big medal at the Amsterdam Maison Descartes for his good work.
Guuzbourg is the one who introduced us to 'zuchtmeisjes', typical French female singers who sigh in a seductive way, but who also whisper beautifully, moan and groan. American singers belt, their French couterparts are keeping it small. The erotic effects are grand.
On Filles Fragiles #2, Guuzbourg let's us indulge in his harem featuring Vanessa Paradis, Carla Bruni (yep, that one), that we 'cheeseheads' know too. The rest is fairly unknown, but sound just as good.
FF#1 learned us that 'zuchtmeisjes' can come from everywhere, not just France. Even in the Dutch polder you'll find some. For instance, Amsterdam's own Leine is joining her French nieces, but the real surprise is L'Anamour from a 1970 album by Liesbeth List. Guuzbourg found this gem on a German vinyl album, and it sounds like it was produced by Gainsbourg himself.
Wouter,
Eugene and
Mordi were also very, very kind.
And whaddabout this review from Dutch daily Algemeen Dagblad (on the left) ?